Jessa’s paintings and drawings emerge from her experiences in the backcountry. Her artwork blends the creation process with adventure capturing the spirit of exploration during her time outside. Being mobile and transportable is a large part of the art process, as she brings her studio along these adventures to create artworks within the setting of that experience. These adventurous artworks also serve as studies for larger scale murals, bringing backcountry adventures back to urban and daily life.
The artworks are about the human experience. They are about struggle as much as they are about celebrating activity and these moments within the wild. These pieces explore the beauty and the mystery of wilderness and activity through the use of color, shape, and line by being expressive and dramatic, bold and bright… because that is what life is. It is all of those heightened elements combined.
Relocating to BC in 2013 changed her art focus, and she has officially admitted to being an experiential landscape artist. Her pursuits of art and adventure led her to become a backcountry guide as well. You can find her at Baldface Lodge in the winter working as a tail guide, or in the mountains, at the beach, or on her bike exploring and working on the #getoutoftownvibe series.
I’ve always split my time between painting in the studio and getting outside for adventure and play. It wasn’t until moving to BC that I adjusted my creative process and began bringing my materials out along my adventures with me. I was curious about how to articulate how it feels to spend time outside and celebrate the wild places we are so fortunate to call home. The art process feeds off adventure and play, and I hope the pieces I create feel joyful, lively, and in a state of perpetual motion. I don’t set out to create paintings and drawings that look exactly like the textures of the terrain, but instead focus on how to translate the feelings of spending time outside: how the clouds move, how the wind feels, how the warm sun glows. My long-term artistic goal would be to have these pieces inspire others to get outside on their own adventures, and to in turn help protect these wild spaces from over development.
I love how inclusive the community of Nelson feels – everyone and everything feels welcome to spread out. I feel the terrain reflects that here as well. The tight valleys feel intimate, and the high peaks feel that much more refreshing to get head space above it all. I really adore the winters here, and love how playful the treed terrain is. I find myself constantly balancing between wanting to pull out my sketchbook at every kick turn, and wanting to push further to gain another ridge or take another lap. The act of painting is such a pleasure in itself, but I would be lying to say I don’t crave powder days and loamy mountain bike rides. I feel really grateful to live in a community where you can be both an artist and adventurer without having to sacrifice anything.
I love the idea of bringing nature into city centres, and challenging what a human-made structure should look like or do. I know when I’m in large urban cities I crave lush landscapes and mountain tops. Fortunately, Nelson is situated within a pristine landscape, so the town itself never really feels that far from nature. Blending the lines between buildings and natural environments is really interesting to me because of the interplay between organic and inorganic forms. Murals, to me, are reminders that people with diverse interests and personalities inhabit spaces, build things, and create communities. Whether a mural is of a natural element or not, the fact that it is a brush stroke from an individual is enough to enliven a building or space, and give it personality.
This mural festival is such an amazing investment from the community to enliven the sometimes-forgotten spaces and alleyways of Nelson. It feels like a visual representation of the diverse personalities that exist in this community, and makes every wall feel full of intention. I’m a big believer in art being for everyone, and love seeing how children and families interact with public art. I often have people tell me they ‘don’t know how to look at art’. Having art in public spaces is a great way to give people the opportunity to have art in their daily lives, regardless of their background, profession, or trade.